The Hague, Brussels, London, Copenhagen; Amsterdam, Berlin, Brussels, London. Over
the last two weeks two vast caravanserais of prominent Bordeaux château
owners have processed around the capitals of northern Europe trying to
persuade their inhabitants to buy their unsold 2001 and 2002 reds, many
at tempting prices. But the fact that they have had to do this is just
one of the more visible symptoms of Bordeaux’s crise viticole,
brought on by the fact that this temperate, rather humid region
necessarily makes a style of wine that is best appreciated at the
dinner table. The flashiest nouveaux riches of Shanghai
may play with a goblet of Le Pin as an aperitif because it is
expensive, famous and pretty rich itself, but the great bulk of red bordeaux made today is just too high in acid and tannin and too low in alcohol and sugar to provide comfortable drinking without food.
The
way we drink wine is changing so rapidly that wine itself is having a
hard time keeping up with those changes. And different cultures have
quite different ideas about the function of wine.
The
French for example, supposedly guardians of the vinous flame, see wine
as a drink that belongs exclusively in the dining room. Some old men
may still nurse a small glass of rotgut in grimier neighbourhood bars
but very few sophisticated Frenchmen would consider still dry wine a
suitable aperitif. Some may serve a glass of something sweet before a
meal. Others open champagne at the beginning as well as at the end of
dinner. But basically within French culture, wine is something to be
savoured with food - or, increasingly, not at all for per capita wine
consumption within France has been plummeting.
At the other end of the evolutionary scale, in terms of wine, is India,
a culture that is very new to fermented grape juice, in the modern era
anyway. When I met the country’s few writers on the subject on a visit
not that long ago they explained how difficult it was to convince their
countrymen of the virtues of wine drinking. “What’s the point?” they
would be asked. “Wine doesn’t get you drunk nearly as fast as whisky.”
In India the custom is to drink first and eat second, when you can no longer stand – rather as in Glasgow.
In such drinking cultures the function of the aperitif can seem less to
open up the digestive system than to close down the cognitive one.
But
most wine cultures lie somewhere between these two extremes and in my
opinion and experience, they are changing fast. In those parts of the
world where wine consumption is rising most rapidly, Britain and parts of Asia
for example, wine is no longer seen as necessarily a drink to go with
food. An increasing proportion of wine of all sorts, including even
quite smart red wine, is drunk without food, or without any solid
matter more substantial than a bowl of nuts or potato chips. A glass of
wine today has become a ubiquitous and acceptable alternative to a
beer, a gin and tonic or a Bacardi breezer. What people are looking for
is a no-food wine.
This
has huge implications for the style of wines that are likely to be most
in demand – particularly for red wines which are increasingly
fashionable and have been seen as possible aperitifs only relatively
recently.
Purists,
myself among them, may complain about the apparent sweetness of so many
wines made today, particularly but by no means exclusively in the New World, but for many wine drinkers it is this sweetness that makes the wines so easy to drink on their own.
I suspect that this has been an important factor in the malaise that is also affecting sales of red wines from Italy’s traditional wine regions, especially Piedmont and Tuscany.
Wines such as Chianti and (the admittedly much more expensive) Barolo
are stuffed full of chewy tannin and, unless very mature, taste as dry
as bone. What makes them so delicious with a bowl of pasta or a veal
chop also makes them seem bitter and uncompromising without food.
The very visible trend towards reds from the south of Italy
with their much higher alcohols and softer, riper tannins is surely
partly a consequence of these changing drinking habits. A glass of
velvety Negroamaro or Rosso di Salento slides down much more ‘smoothly’
as the jargon has it, than a light, tart red from the north of Italy.
This
word smooth is important. It has become a sort of euphemism for sweet
and soft, or low in tannin. And it is smooth reds that are the obvious
no-food candidates, drunk in many bars today, slightly chilled. Pam
Gregory who buys the wine for Mitchell & Butler’s 2,200 outlets in
the UK
including All Bar One, Browns, Harvester and Vintage Inns is quite
clear about her policy on choosing suitable red wines: “the tannin
content is not welcome – it makes the wines too tight, especially when
they’re chilled”.
But
sweet, soft reds are not necessarily the most delightful dinner
companions. They can seem heavy, clumsy and distracting with many
foods. Yet palates new to wine that are introduced to wine drinking may
well find drier, chewier reds more difficult to warm to than big, bold
fruit bombs which, crucially, need much less time in bottle or glass to
show their charms.
Another factor in our changing taste for wine is undoubtedly the revolution in the sort of food we eat. Subtle red bordeaux
may go beautifully with classic French and British cuisine but it is
often out of its depth with the sort of sweet and spicy dishes that are
increasingly popular worldwide. A hearty Barossa Shiraz or Zinfandel
can seem much more the thing with curry, coconut milk and chilli.
It
does not take any great feat of clairvoyance to predict that demand for
softer, sweeter reds will continue to grow, at least in the medium
term, doing little to solve France’s viticultural crisis. The bold, rich wines of Spain should be notable beneficiaries of this trend. New World influence in wineries throughout Europe
will also probably continue to strengthen as wine producers everywhere
seek to make the sort of fruit-driven styles that appeal most to
no-food wine drinkers.
But
perhaps in the longer term, since every action is followed by a
reaction, an increasing proportion of wine drinkers will seek a quite
different style of wine that is expressly designed to be drunk with
food. In the meantime, if I were a wine producer, I would not bank on
it.
Some distinctly superior no-food reds:
Touchstone Merlot 2002 Rapel, VOE £5.50 Vintage Roots of Arborfield
Organic Chilean bursting with fruit.
Alamos Bonarda 2002 Mendoza, Catena Zapata £5.49 Booths, £5.99 Unwins
Full and round yet grown-up. Opulent with the same sort of rich appeal as a mature Merlot.
La Segreta Rosso 2003 Sicily, Planeta £7.99 Booths
Real depth and attractive cherry fruit, made from Nero d’. My tasting notes include the word ‘smooth’.
Best’s Shiraz 2001 Victoria £8.75 House of Townend, Hull
Another wine that is smooth and round but with real distinction, cool climate influence and a very complete drink.
Pinot Nero 2002 Alto Adige, Franz Haas £14.95 Frank Stainton Wines, Kendal;
Moriarty Vintners, Cardiff; Ribblesdale Wine Co, Clitheroe; Valvona & Crolla, Edinburgh; Westfield Wines, Dublin
Really interesting Dolomite variation on red burgundy. No shortage of fruit but not simple.