Volcanic Wine Awards | 25th anniversary events | The Jancis Robinson Story

The Pinot of no return

Wednesday 14 June 2017 • 3 min read
Image

As an Englishman good and true, I am exceptionally well practised at keeping my feelings firmly bottled up. Rarely if ever is the cork removed to sniff at the mysteries within. Not once has internal pressure exploded the glass, spilling its guts all over the floor. 

No, all and any emotional reactions are safely tucked away – not only bottled up, but sealed in original wooden cases, stacked in a dusty cellar behind old cans of paint and firmly forgotten about. 

Yet when I open a bottle of wine, it is in ultimate pursuit of exactly what has been suppressed: a deep, raw, emotional reaction – something charged with passion and spontaneity and animal instinct. And no type of wine promises such ecstasy more than Pinot Noir.

It’s very nickname betrays its potency: the heartbreak grape. Dozens of events are devoted to Pinot Noir across the globe each year, way more than for any other variety – as if it is somehow the neediest cause. But perhaps most tellingly, it is the grape which most commonly triggers vinous epiphanies among our congregation. Countless are the Damascene conversions it has inspired, when the penny finally drops and new, lifelong obsessions are born of a single, magical bottle: the Pinot of no return.

Jancis’s own moment with a 1959 Les Amoureuses Chambolle-Musigny has been well documented. When I asked on Twitter who had had similar epiphanies, responses were immediate: Louis Latour 1985 Corton Grancey, Denis Mortet 2005 Chambertin, Joseph Roty, Les Fontenys premier cru 2000 Gevrey-Chambertin, René Engel 2002 Échezeaux, as well as Ata Rangi, Yabby Lake and several others. If you’ve had one yourself, no doubt its name is on your lips even now.

As an aside, my own formative Pinot experience should also have been with a Les Amoureuses Chambolle-Musigny, funnily enough. While working for Majestic Wine in the mid 2000s, our store was mistakenly sent a single bottle of Domaine Comte de Vogüé’s legendary premier cru bottling instead of the lesser village blend. Rather than reporting the discrepancy, the store manager, not renowned for his scruples, decided to drink the bottle with the staff.

Once the shop doors were locked that evening, it was duly opened and poured. This was my first encounter with burgundy of mythical status, one whose price was measured in hundreds of pounds, a true pinnacle of Pinot. I swirled, sniffed, swallowed ... and felt nothing. All I could taste was hollow disappointment. 

Perhaps this anti-climax is why I am so especially addicted to finding my own bottled epiphany. But why Pinot Noir? What is it about this particular grape that makes it the ultimate wine of enlightenment for so many of us?

One theory attributes Pinot Noir's appeal to the fact that it varies so dramatically according to terroir. No other grape displays such infinite variation, most overtly manifested in the patchwork quilt of Burgundy. Another significant factor is the fact that Pinot Noir thrives in just a handful of precious regions around the world. Even England, increasingly.

Furthermore, it tends to be the hardest grape for newcomers to appreciate. It doesn’t have the impressive power of Cabernet Sauvignon, the flattering lushness of Grenache or the rich fruitiness of Shiraz. Rather, it is often light, seemingly underpowered, with esoteric flavours that can evoke butchery and horticulture above orchards and floristry. Rightly or wrongly, the acquisition of that taste signifies a more sophisticated level of wine appreciation.

But the most compelling reason for Pinot Noir’s intangible appeal, for me at least, is that visceral emotional reaction it can trigger. And the fact that such an ultimate payoff is so elusive is all part of the draw.

Like an addict forever chasing the next high, part of the thrill is in the chase – though I hasten to add that I haven’t got to the stage of mainlining Pinot Noir into my bloodstream. Perhaps it's only a matter of time before Zalto start making hypodermic syringes, but in the meantime I can't help wondering if I’ve already had an epiphanic Pinot moment, but simply didn’t realise at the time. That really would put the Pinot into poignant.

Psychologists might argue that it's far healthier applying a corkscrew to those pesky bottled-up feelings than to yet another Pinot Noir. Alternatively, perhaps the emotional reactions that the greatest Pinots can inspire serve as a proxy for what might otherwise stay perpetually repressed. I have a feeling that might be the case.

Choose your plan
Member
$135
/year
Save over 15% annually
Ideal for wine enthusiasts
  • Access 289,030 wine reviews & 15,885 articles
  • Access The Oxford Companion to Wine & The World Atlas of Wine
Inner Circle
$249
/year
 
Ideal for collectors
  • Access 289,030 wine reviews & 15,885 articles
  • Access The Oxford Companion to Wine & The World Atlas of Wine
  • Early access to the latest wine reviews & articles, 48 hours in advance
Professional
$299
/year
For individual wine professionals
  • Access 289,030 wine reviews & 15,885 articles
  • Access The Oxford Companion to Wine & The World Atlas of Wine
  • Early access to the latest wine reviews & articles, 48 hours in advance
  • Commercial use of up to 25 wine reviews & scores for marketing
Business
$399
/year
For companies in the wine trade
  • Access 289,030 wine reviews & 15,885 articles
  • Access The Oxford Companion to Wine & The World Atlas of Wine
  • Early access to the latest wine reviews & articles, 48 hours in advance
  • Commercial use of up to 250 wine reviews & scores for marketing
Pay with
Visa logo Mastercard logo American Express logo Logo for more payment options
Join our newsletter

Get the latest from Jancis and her team of leading wine experts.

By subscribing you agree with our Privacy Policy and provide consent to receive updates from our company.

More Hemming's spittoon

Casks maturing in a sherry bodega
Hemming's spittoon Richard revives his Spittoon column with the curious story of the Jerezanos' other business. Which traditional white wine is aged...
Rollercoaster
Hemming's spittoon Wine doesn't always have to be great, argues Richard. Most wines I taste are of average quality. Mediocre. 15.5 out...
Image
Hemming's spittoon Is finding the right food and wine match ever possible? Probably ... When you consider the virtually infinite number of...
Image
Hemming's spittoon How technology is being used to share every detail of how a wine is produced – for free. If you...

More from JancisRobinson.com

Benoit and Emilie of Etienne Sauzet
Tasting articles The last of our alphabetically organised tasting articles: reviews of wines tasted by Matthew in the Côte d’Or and by...
Stéphane, José and Vanessa Ferreira of Quinta do Pôpa
Wines of the week If there’s one country that excels at value-priced wines, it would have to be Portugal. This is yet another wine...
Simon Rollin
Tasting articles The penultimate of 12 alphabetically organised tasting articles: reviews of wines tasted by Matthew in the Côte d’Or and by...
Iceland snowy scene
Inside information For this month’s adventures Ben heads north to Denmark, Sweden and Norway. We’d arrived in a country whose Nordic angles...
Shaggy (Sylvain Pataille) and his dog Scoubidou
Tasting articles The 10th of 12 alphabetically organised tasting articles: reviews of wines tasted by Matthew in the Côte d’Or and by...
Olivier Merlin
Tasting articles The ninth of 12 alphabetically organised tasting articles: reviews of wines tasted by Matthew in the Côte d’Or and by...
Sébastien Caillat
Tasting articles The eighth of 12 alphabetically organised tasting articles: reviews of wines tasted by Matthew in the Côte d’Or and by...
Audrey Braccini
Tasting articles The seventh of 12 alphabetically organised tasting articles: reviews of wines tasted by Matthew in the Côte d’Or and by...
Wine inspiration delivered directly to your inbox, weekly
Our weekly newsletter is free for all
By subscribing you're confirming that you agree with our Terms and Conditions.