The Jancis Robinson Story | Mission Blind Tasting | Wine writing competition

Diary of a Willamette cellar rat – part 5

• 4 min read
Red wine fermentations in a Willamette Valley winery, Oregon 2019

10 October 2019 There’s so much fascinating insight into winemaking in Samantha’s harvest diary that we couldn’t resist republishing another episode free today.

7 October 2019 Samantha Cole-Johnson was in the winery all week, ensuring optimum contact between grape skins and must. She explains what to do when things go wrong.

The winery smells amazing – if you like the smell of fermenting juice, which I happen to think smells deliciously like fruit juice, freshly baked bread and strawberry soda. The ferments also taste good, if you happen to be able to decipher what ‘good’ for a ferment is. It’s quite difficult because, being used to drinking finished wine, your immediate thought is to try to speculate on what the ferment will become when it’s finished. 

But I’ve discovered that the key is not to speculate, because it’s impossible to say what it will be like when it’s done. (If you haven’t tasted ferments, you should know they’re a world away from what you’re pouring out of a bottle). Instead you compare it to all the other fermenting wine you taste or have tasted. It should taste good comparatively: not too green, not too tannic, not too stinky like bad eggs (this is H2S, hydrogen sulphide), and not like nail polish (ethyl acetate). 

Green smells can’t really be fixed, they mean you picked too early. You can make the green smell go away by fining the juice, but you might also lose other phenolics in the process (and these affect the colour, taste and mouthfeel) so it’s usually not worth it. We had one pick of Chardonnay a couple of weeks ago that was so green that we used a bit of casein to fine it and drop some of the green aroma and flavour, but it’s generally not practised in our winery.
 
Too tannic isn’t pleasant in an unfinished wine. It probably means you pressed too hard, but I’ll get to that below.

Stinky H2S is easily fixed in a ferment. Its cause is usually a lack of yeast nutrients (nitrogen), which is why we added the optiflore mentioned in my last journal entry). It can also be caused by residual sulphur that wasn’t destroyed by oxygen and microbes before fermentation started. Vigorous aeration via pumpovers will blow off the smell very quickly in most cases. 

The smell of ethyl acetate (nail polish) in a starting fermentation usually means that your ferment is cold and the yeast are struggling. You can warm the ferment up and help them out – most people do. However, our winemaker decided to play with fire this year. He didn’t warm up our tanks as soon as the smell became evident. He didn’t do this because during the yeast's struggle, they produce some really beautiful esters which can add a lot of complexity to a wine and smell really good. 

It’s generally accepted that the longer a fermentation, the more esters are formed and the greater the ester retention. The shorter the fermentation, the fewer esters are produced. When you heat a ferment, you speed it up. So the plan this year was to wait, push the yeast to struggle a bit longer, and then warm the tank. Generally, the results were very good and he says we have better-tasting ferments than we have ever had (they really are gorgeous). But … three tanks were left just a bit past the deadline and the ethyl acetate smell didn’t blow off. I’ve been told that this is fixable, it just requires a bit of manoeuvring that isn’t ideal. I’ll get back to this in a second. 

We started digging out tanks this week and pressing the Pinot Noir. This means that you hook up hoses and pump all the juice from the tank with grape skins in it to one that is clean. As all your tanks should have screens (if they don’t then one of your interns screwed up, your pump is broken, and the intern in question owes everyone multiple beers), you have clean, free-run Pinot in the new tank. The skins are then dug out into a bin (by an intern) and forklifted to the press, where they are pressed and the winemaker decides at what pressure they want to stop pressing. We usually go up to 1.2–1.4 bar before we stop. Any juice that comes after this is run into a different tank, labeled ‘hard press’, and doled out if anything needs a bit more tannin or ‘oomph’. If nothing needs it, it’s disposed of. 

Now, back to overly tannic unfinished wine. It’s usually so tough because you pressed too hard. As for the tank with ethyl acetate, you wait until you drain a ferment that’s clean and pretty. Then, you sacrifice the pomace. Instead of pressing it, you run the ferment with the ethyl acetate over the pretty-smelling pomace and it acts as a filter. I’m not sure how this works scientifically but I’ve been told it’s tried and true and so this is the method used. I’ll report on how that goes in the next couple of weeks.

A lot of things happened this week, but five out of the seven days I was wandering around the winery doing cap management (pumpover, pigeage, punchdowns) and tasting ferments so I don’t know the half of them. I do know that one of our clients doesn’t like feet in their wine so we’ve been doing some more traditional hand punchdowns (shown in the picture), which really just results in sweat in your wine instead of feet. To be clear, we use our feet in our wine because it’s easier, faster, you can feel temperature difference and mix hotspots in, and you know whether or not your temperature gauge on the tank is accurate. If you’re not physically in the ferment, you can’t know for sure what the temperature is like.

The last of the fruit is in and processed, the vintage has produced what I think will be some outstanding wine, and we have a huge party tomorrow to celebrate the end of the harvest, so I better get some sleep!

Samantha Cole-Johnson operates a food-free punchdown in Oregon 2019
Samantha conducts a foot-free punchdown


 

Choose your plan
Member
$135
/year
Save over 15% annually
Ideal for wine enthusiasts
  • Access 297,331 wine reviews & 16,160 articles
  • Access The Oxford Companion to Wine & The World Atlas of Wine
  • Access askJancis, our AI wine assistant
Inner Circle
$249
/year
 
Ideal for collectors

Everything in “Member”, plus:

  • Early access to the latest wine reviews, 48 hours in advance
  • Early access to the latest articles, 48 hours in advance
Professional
$299
/year
For individual wine professionals
  • Access 297,331 wine reviews & 16,160 articles
  • Access The Oxford Companion to Wine & The World Atlas of Wine
  • Access askJancis, our AI wine assistant
  • Early access to the latest wine reviews & articles, 48 hours in advance
  • Commercial use of up to 25 wine reviews & scores for marketing
Business
$399
/year
For companies in the wine trade

Everything in “Professional”, plus:

  • Commercial use of up to 250 wine reviews & scores for marketing
  • Access to submit wines for review
  • Offer memberships to your employees and manage them from a single place
  • API access available for an additional fee
Pay with
Visa logo Mastercard logo American Express logo Logo for more payment options
Join our newsletter

Get the latest from Jancis and her team of leading wine experts.

By subscribing you agree with our Privacy Policy and provide consent to receive updates from our company.

More Free for all

Alaverdi Monastery, in Akhmeta, Kakheti
Free for all The wines of Georgia continue to be surprising. A slightly shorter version of this article is published by the Financial...
Markus and Eben Sadie at Berry Bros April 2026
Free for all Leading new-wave South African wine producer is looking to the future. A version of this article is published by the...
Sam Neill
Free for all Jancis remembers the most charming wine producer she has ever met. Above, Neill in his Two Paddocks vineyard. The worlds...
A glass of Sauvignon Blanc at an airport bar
Free for all After a first round of judging, we’re delighted to begin publishing the best of this year’s writing competition entries. All...

More from JancisRobinson.com

The Crest Vineyard, terroir of Moutou
Wines of the week Domaine Lafage’s Moutou from the Côtes Catalanes is not only delicious but also supports environmental research in this hot, dry...
Dugladze amber Rkatsiteli, walnuts and shoti, bread cooked on the inside of an oven
Tasting articles Jancis plunges into these distinctive wines, if not the distinctive country. Above, from producer Dugladze’s website, characteristically Georgian amber Rkatsiteli...
Penfolds Magill Estate chimney and vines
Tasting articles Big reds continue to rule in Penfolds Land, but changes are on the horizon. Penfolds’ Magill Estate is pictured above...
Boscareto vineyard in the snow
Tasting articles Concluding Walter’s report on this notably accessible vintage. Today, reviews of wines from the southern and eastern villages of Castiglione...
Barale estate and vineyards
Tasting articles A final report on a tricky vintage that produced some remarkably fresh and accessible wines. Today, reviews of wines from...
Valle de Guadalupe vineyards
Inside information Mexico’s wine industry offers lessons in dealing with climate challenges, says Mexico-based journalist and sommelier Carlos Borboa. Above, vineyards in...
Richard Hemming and Hiromi Ohno outside Sushi Oono
Vinomakase Richard’s new Vinomakase column explores how the experts match wine with Japanese cuisine. For the first edition, a traditional sushi...
Hops hang from the ceiling at Dylan's at The Kings Arms in St Albans
Bite-sized A 15th-century pub with bang-up-to-date feasting in the Cathedral Quarter of St Albans. The front bar is still reassuringly pubby...
Wine inspiration delivered directly to your inbox, weekly
Our weekly newsletter is free for all
By subscribing you're confirming that you agree with our Terms and Conditions.