25周年記念イベント(東京) | The Jancis Robinson Story (ポッドキャスト) | 🎁 20% off gift memberships

'Don't drink your own wine'

2022年1月12日 水曜日 • 5 分で読めます
NIgel Greening tasting

Nigel Greening, owner of  Felton Road, perhaps New Zealand’s most admired wine producer, sequestered by the pandemic in England, offers some advice to new wine producers. Above he is seen hard at work sussing out the (friendly) competition.

When I crossed the Rubicon from wine drinker to vigneron in 1999, a wonderful thing happened. I was still living close to London at that time and I found that the cornucopia of wine tastings offered in the capital, maybe the most wide-ranging in the world, were suddenly open to me. I was in the business!

I also felt painfully ignorant. My acquaintance with Burgundy was fairly sound, having lived through the era when it was affordable... sort of. But my knowledge of so much else in the outrageous proliferation that is the wine world was sketchy. So any free day was spent tasting, learning. I found to my delight that many of these events had the producers pouring their offerings, so I could meet and discuss rather than just taste. I became a regular sight at these events and, thanks to the generosity of the merchants, the wine organisations and the producers concerned, my knowledge, and my address book, gradually expanded.

There was a second benefit to this approach. As we at Felton Road managed to engage a few distributors around the world, they would ask us to attend their annual portfolio tastings. As a lover of travel, and ignorant of the carbon I was squandering, I was happy to agree. I quickly learned that at such tastings there were three classes of tables: those with the winemaker or proprietor manning them were the busy ones, then came those with a local representative or member of the distributor’s staff behind the bottles. Lastly were the, often lonely, tables simply left for people to ‘self pour’. It took only a glance to realise that that would be the fate of my wine if I weren’t there.

If you did make the journey to be there, then you would probably be included in the wine dinners, symposia or masterclasses that accompany such events. Distributors are always more diligent with wineries that support them by turning up. But you’d also meet the other producers, together in a different city and keen to socialise.

Before long I had discovered a remarkable world: one perhaps unique in commerce. In any other profession we would be rivals, but in wine there was a spirit of comradeship, not competition. Everybody would help everybody else. It is, I think, a fairly recent phenomenon born of two unusual quirks. Firstly, in the world of good wine, one is not saying to a customer ‘buy my wine, not theirs’. Our customers drink many, many different wines, so they can enjoy both. By enthusing to the customer, we sell not just our wine, but our colleagues’ wines as well. I remember once swapping places with a notable Burgundy producer, and I poured and talked to his wine while he did the same for mine.

The second factor is that we need each other. All winemakers are students of their craft: no intelligent practitioner thinks they have mastered it. The best are eternally curious and turn to their counterparts to learn. And not just in winemaking. If we are looking for a good distributor in, say, Hungary, then we turn to our colleagues who are in the market there already. They have the lowdown and, in return, you can brief them on Montreal. Their cellars are always open for you to go taste and discuss, their vineyards are yours to walk through and explore.

And, most collaboratively of all, there is the exchange of our young. We send our daughters, our sons, and our young hopefuls on the staff to them to be trained. They return the compliment with theirs. Over 200 young winemakers and viticulturists have been delivered to us from around the world over the years. We have sent many back in return. We lost one to marriage. We all learned a lot.

But this is a subset of the wine world. Once wine was purely generational: families owned vineyards and daughters and sons were born into the business. Today, we have more and more arrivals into the world of wine production who come from outside. Normally as a second career, as it needs some capital. Sometimes it’s more of an enthusiastic pastime than a deep commitment. These new arrivals tend to come from worlds where collaboration with the competition is an alien concept. They are shy of their relative inexperience. Crucially, while they may have drunk plenty of ‘what they like’, they are lacking in a broad experience of the wines of the world. It is a hard and lonely place from which to begin.

There is a pejorative description of wine producers, sometimes used by their peers, that most people outside that group don’t hear: ‘Oh, they drink their own wine.’

Evolution has devised an effective solution to prevent our poisoning ourselves, but it comes at a price. Every time we taste something new our brain is distrustful: ‘this is unfamiliar; will it harm us?’ The flipside is that things we have tasted many times must, by definition, be safe. Hence ‘acquired taste’, the cognitive bias that tells us that anything we’ve tasted a lot tastes good. It works, as long as it doesn’t create an addiction to Coca Cola or buckets of fried chicken.

It has a second danger. Those who start to make their own wine tend to drink it a lot. They want to show it to their friends, to congratulate themselves with a regular glass. Pretty soon their brains are telling them that this stuff is the nicest they have ever tasted and they have fallen down the wormhole we call ‘cellar palate’.

So we have a double danger: a delusion that our wine is much better than it really is, combined with a significant reduction in exploring the wider world of wine. The solution is simple and becomes joyful. Limit consumption of any wine you make to an occasional taste rather than a drink, reserving those occasions when you do serve your wine to those that are professionally unavoidable. When you do want wine to drink, drink as widely as is possible. Focus on benchmarking the greatest range of styles and origins you can. Make every wine the subject of conscious analysis and, if possible, discussion: what is good here? What do I see that I don’t see in my wine? Would it have a place there? Also be absolutely brutal in casting aside any wine you don’t think will add to your knowledge. Trashing your liver and waistline for no intellectual gain other than numbness is a fool’s pastime.

Twenty years on, the two best lessons I have learned? Don’t drink your own wine and go to as many tastings as you possibly can, wherever they may be. It’s not about selling wine, it’s about being a part of your new world.

購読プラン
JancisRobinson.com 25th anniversaty logo

This Mother’s Day, give the gift of great wine.

Mothering Sunday is 15 March – and a JancisRobinson.com gift membership is one of the most thoughtful presents you can give a wine lover.

For a limited time, get 20% off all annual gift memberships by entering promo code FORMUM26 at checkout. Offer ends 17 March.

スタンダード会員
$135
/year
年間購読
ワイン愛好家向け
  • 290,611件のワインレビュー および 15,949本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
プレミアム会員
$249
/year
 
本格的な愛好家向け
  • 290,611件のワインレビュー および 15,949本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
プロフェッショナル
$299
/year
ワイン業界関係者(個人)向け 
  • 290,611件のワインレビュー および 15,949本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
  • 最大25件のワインレビューおよびスコアを商業利用可能(マーケティング用)
ビジネスプラン
$399
/year
法人購読
  • 290,611件のワインレビュー および 15,949本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
  • 最大250件のワインレビューおよびスコアを商業利用可能(マーケティング用)
Visa logo Mastercard logo American Express logo Logo for more payment options
で購入
ニュースレター登録

編集部から、最新のワインニュースやトレンドを毎週メールでお届けします。

プライバシーポリシーおよび利用規約が適用されます。

More 無料で読める記事

Lytton Springs vines
無料で読める記事 個性と独自性、そして真の意義を求めるなら、アメリカ史の別の時代に植えられたブドウの樹から造られるジンファンデルを選ぶべきだ...
Ch Ormes de Pez
無料で読める記事 この記事はAIによる翻訳を日本語話者によって検証・編集したものです。(監修:小原陽子) 10 年を経た2016年ヴィンテージの概要について。...
Ferran and JR at Barcelona Wine Week
無料で読める記事 この記事はAIによる翻訳を日本語話者によって検証・編集したものです。(監修:小原陽子) フェランとジャンシスによる...
Institute of Masters of Wine logo
無料で読める記事 本日、マスター・オブ・ワイン協会より発表された新たなMWの誕生に祝意を表したい。 この記事はAIによる翻訳を日本語話者によって検証...

More from JancisRobinson.com

Eric Rodez barrel cellar
今週のワイン 安くはないが、このオーガニック・バイオダイナミック・シャンパーニュの快楽的な風味と質感の洪水を考えれば、良い買い物だ。 57ドル、61...
Rocim talha cellar
テイスティング記事 ポルトガル南部で粘土から造られるワインを祝う。 1,900人のワイン愛好家が間違っているはずはない。昨年11月...
Richard Hemming surrounded by wine bottles ready for tasting
テイスティング記事 124本のワインをレビューし、オーストラリア南西端の奥地に埋もれた様々な宝石を発見した。 グレート・サザンを訪ねても参照のこと。...
MBT conclusions cover image
Mission Blind Tasting すべての詳細をまとめ、グラスの中身が何かを判断してみる時が来た。 ワインの 外観、 香り、 味わいを評価する方法を学んだので...
El Pacto vineyard
テイスティング記事 リオハが優れた価格で熟成ワインの素晴らしい供給源であり続けていることの証明だ。上の写真は...
Vineyard landscape at West Cape Howe in the Great Southern region
おすすめの旅 西オーストラリアのワインの荒野を発見する。グレート・サザンのワインのレビューは明日お届けする。 グレート・サザン産地のどこに立っても...
Juan Valdelana
テイスティング記事 世界中で入手可能な十分な規模で造られる高品質ワインのセレクションも含む。写真上は、ボデガス・バルデラナ(Bodegas Valdelana...
 Juan Carlos Sancha in the Cerro la Isa vineyard with mule
テイスティング記事 単一村、単一畑、単一品種のリオハに焦点を当てる。写真上は、フェランのテイスティングで最も印象的な白ワインの産地であるセロ・ラ...
JancisRobinson.comニュースレター
最新のワインニュースやトレンドを毎週メールでお届けします。
JancisRobinson.comでは、ニュースレターを無料配信しています。ワインに関する最新情報をいち早くお届けします。
なお、ご登録いただいた個人情報は、ニュースレターの配信以外の目的で利用したり、第三者に提供したりすることはありません。プライバシーポリシーおよび利用規約が適用されます.