Dinner on the Friday night we arrived in Paris and lunch on the Sunday before we headed home could not have been more enjoyable nor more different. Both meals also provided fascinating but yet again very different insights into the dedication that is vital to success in the restaurant business.
Our first meal was at Astrance, the three-star Michelin restaurant run by restaurateur Christophe Rohat and chef Pascal Barbot. In many ways this meal was definitively French, despite several Japanese influences and ingredients, including the large, highly aromatic, white truffle from Piedmont on the reception desk. Nor, at 230 euros for the multi-course tasting menu, could it have been any more expensive.
Sunday lunch, at 32 euros for three courses, at Fish la Boissonerie on the Left Bank, expressed not just unbeatable value but also a highly cosmopolitan partnership in this quintessentially Parisian location. Fish is owned by New Zealander Drew Harré and American Juan Sanchez (whose parents are originally from Cuba) while the chef is Ollie Clarke, a talented 23 year-old Englishman.
As we walked to Astrance from Passy metro station along Avenue de New York, the Eiffel Tower across the Seine, lit up in all its splendour, towered above us. Yet having turned into the cobbled rue Beethoven that slopes steeply uphill with the bow-fronted Astrance on the right, both my wife and I had the feeling that we were in San Francisco.
How Astrance came to settle here in this somewhat unlikely setting became clear after we had been sitting at one of the two tables on this intimate restaurant's small mezzanine for about 30 minutes, during which we enjoyed watching Rohat in action. Wearing a dark suit, an open-necked white shirt and waistcoat, he patrolled, intervened, explained and obviously trained his staff, particularly sommelier Alexandre Jean, who has been with him for seven years, to a very high standard. Once Rohat had laid out the cutlery for our next course, I asked him how they had discovered Astrance's discreet home.
'Pascal and I worked together at L'Arpège and then for chef Pierre Gagnaire before we decided to go on our own in 2000. We looked at over 30 possible sites and then were shown this one that had even been completely redecorated by the former owner. It is such a lovely, quiet part of Paris that I have now moved here too with my family', he added with considerable satisfaction.
Although only a third of the way through the mandatory surprise menu, we were also pretty satisfied by this stage. Our first course was Barbot's signature dish of a mille-feuille of raw mushrooms interlaced with foie gras, followed by a dish whose combination of ingredients may seem highly unlikely but proved to be stunning. Centre stage was a raw scallop next to a raw oyster alongside bone marrow, sea urchin and konbu, the seaweed that is the essential ingredient in Japanese dashi or stock.
Two very different fish dishes, a steamed fillet of turbot with chrysanthemum flowers and green shiso, another Japanese influence – this time a member of the mint family, followed by a thin ravioli layer on top of an intense bowl of spicy crab, were excellent. The former showed a real lightness of touch while the latter was rich and intense.
By contrast, the two subsequent meat courses, a round of lamb with black olive and liquorice and a piece of Challans duck with miso-flavoured aubergine, were somewhat disappointing and arguably a little too similar in terms of texture and flavour. Desserts and tiny chestnut madeleines signalled a return to form alongside a considered plate of sliced fresh fruit.
Two very different factors had by then supplemented our pleasure. The first was the wine list that Jean has cleverly assembled, solving the challenge of so many different flavours emanating from Barbot's kitchen by sourcing older vintages from some of France's less well-known regions whose complexity enhances the complexity of the food. We drank two mature Loire wines, a Montlouis, Le Volagré 2007 from Stéphane Cossais then a Saumur-Champigny, Le Clos 2004 from Clos Rougeard, collectively a reasonable (by three-star standards) 110 euros.
The second was the impact on our senses because of our elevated table. Firstly, it allowed me a view of the tables below, particularly one of seven French gastronomes enjoying a game dinner where main courses were horse, then woodcock and, finally, hare à la royale. There was also the opportunity to inhale the lovely aromas that ranged from the costly white truffle to the far less expensive, but nevertheless delicious, smell of well-sautéed onions.
Astrance and Fish share this twin-level layout, although only the cooks occupy the latter's first floor, from which the food, as so often in Paris, is despatched by lift to the cramped ground floor. Ollie Clarke does not allow this physical separation to stand in the way of delivering characterful dishes, dishes at our Sunday lunch that ranged from a pungent fish soup with mussels to a fillet of mackerel with harissa and hake with fregola, a Sardinian pasta, and walnut relish. Best of all was a fillet of John Dory with salsify, two ingredients particularly fiddly to prepare at home.
But most inspiring to me was seeing the expressions on Clarke and his two chefs' faces as they sat by the bar preparing for that night and the following day's business. They were full of enthusiasm and delight in their profession, cognisant of the hard work it involves but also of the huge pleasure it generates.
Astrance, 4 rue Beethoven, 75016 Paris; tel +33 (0)1 40 50 84 40
Open Tuesday-Friday only
Fish la Boissonerie, 69 rue du Seine, 75006 Paris; tel +33 (0)1 43 54 34 69
Open lunch and dinner 7 days
Paris – dedication on both banks
2014年1月11日 土曜日
• 4 分で読めます
This article was also published in the Financial Times.
購読プラン
スタンダード会員
$135
/year
ワイン愛好家向け
- 289,808件のワインレビュー および 15,922本の記事 読み放題
- The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
プレミアム会員
$249
/year
本格的な愛好家向け
- 289,808件のワインレビュー および 15,922本の記事 読み放題
- The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
- 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
プロフェッショナル
$299
/year
ワイン業界関係者(個人)向け
- 289,808件のワインレビュー および 15,922本の記事 読み放題
- The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
- 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
- 最大25件のワインレビューおよびスコアを商業利用可能(マーケティング用)
ビジネスプラン
$399
/year
法人購読
- 289,808件のワインレビュー および 15,922本の記事 読み放題
- The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
- 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
- 最大250件のワインレビューおよびスコアを商業利用可能(マーケティング用)
More ニックのレストラン巡り
ニックのレストラン巡り
レストラン経営者とワイン関係者が食事を通じてどのように協力しているか。 「ワイン・ディナー」という言葉は...
ニックのレストラン巡り
バルセロナのワイン見本市期間中、スペイン専門家のフェラン・センテジェス(Ferran Centelles...
ニックのレストラン巡り
ニックが世界の外食トレンドについてレポートする。写真上はロンドンのホークスムーア(Hawksmoor)の客たち。...
ニックのレストラン巡り
ニックはレストラン評論家に対してよく向けられる批判を否定し、かつてのお気に入りの店を再訪する。...
More from JancisRobinson.com
テイスティング記事
リースリングの本来の偉大さを確信し、これらのカリフォルニアのワイン生産者たちは、ワインを売るというシジフォス的な課題にもかかわらず...
テイスティング記事
ワイングラスの森から、マーガレット・リヴァーの最高のボトルとその国際的な競合他社の包括的な探求。3月22日(日)に東京にて開催される...
無料で読める記事
フェランとジャンシスが、6つのグラスでスペインワインの今日の興奮を要約しようと試みる。この記事のショート・バージョンは『フィナンシャル...
5分でわかるワインニュース
その他:リッジビューが売却、ウェールズがアルコールの最低単価を引き上げ、4人の新MW(マスター・オブ・ワイン)が発表、ジュリアン・ライディ...
テイスティング記事
この冷涼気候のオーストラリア産地が、ついに初期の期待に応えようとしている。写真上はワイン生産者のパトリック・サリヴァン(Patrick...
今週のワイン
手頃な価格で確実なリースリングとしてプロが選ぶ一本。 14.99ドル、13ポンドから。 この記事はAIによる翻訳を日本語話者によって検証...
無料で読める記事
本日、マスター・オブ・ワイン協会より発表された新たなMWの誕生に祝意を表したい。 この記事はAIによる翻訳を日本語話者によって検証...
Mission Blind Tasting
じっくりと観察するだけで、グラスの中のワインが何かを理解する手助けになる。 ミッション・ブラインド・テイスティングへようこそ! ブラインド...