ヴォルカニック・ワイン・アワード | The Jancis Robinson Story (ポッドキャスト) | Mission Blind Tasting

Winemaker as performer

• 5 分で読めます
Image

Amazingly, this article represents the 10,000th published on JancisRobinson.com since its tentative beginnings in late 2000. It would seem we really are mad enough to publish an average of more than two articles a day. Do keep coming back for more.

The abrupt departure of Mathieu Kauffmann from Champagne Bollinger last April threw into sharp relief the existence of a new sort of responsibility in the world of wine. As Bollinger's CEO Jérôme Philipon explained to me soon afterwards, with the merest hint of embarrassment, although Monsieur Kauffmann was presented in public as Bollinger's chef de cave, in fact someone else (Gilles Descôtes since named officially as M Kauffmann's successor) had been in charge of the nuts and bolts of the winemaking process for some time (which may well have been a factor in M Kauffmann's decision to leave). M Kauffmann's job was to travel around explaining to the wine trade and media the Bollinger philosophy, the vagaries of each vintage and to lead tastings. (For what M Kauffmann is up to now, see Pfalz mourns loss of benefactor.)

I was reminded of the possibly erroneous but entirely believable fact I was once told that cruise liners have two captains: one to sail the ship and the other, presumably the more handsome and sociable one, to greet the passengers and dance with the dowagers. Here in London we are visited so frequently by some winemakers from Champagne that I began to wonder just how many of them actually did the biz and how many were more treasured for their public-relations skills.

The most obvious candidate for someone who might be more at home in a salon than a blending room would be Richard Geoffroy, the worldwide ambassador for the luxury brand Dom Pérignon and, incidentally and no small feat, Director of Oenology for the whole of Moet & Chandon. He seems to be on a perpetual glamorous world tour, introducing the well heeled to his bubbles in ever more exotic locations. As described in Truly, madly DP, Richard Hemming was shipped out to Rheims's smartest gastronomic establishment recently with a dozen others to try 1996 Dom Pérignon at eight different serving temperatures one degree apart, if you please, to experience the wine 'rising from the depths of the ocean, penetrating the earth's rocky crust to soar to the lunar zenith'. If I heard he was leading a pack of huskies laden with Dom Pérignon to the North Pole, I would not be remotely surprised. 

I thought I'd ask Richard Geoffroy for his schedule last year just to check how much time he spends in Épernay and was rather surprised to learn that he was on the road for 'only' seven weeks last year, most of them in the first six months. He went to each of Hong Kong/China, the US and UK twice because they are such important markets for Dom Pérignon, travelled round France three times and visited each of Japan, Italy, Germany, Switzerland, Canada and Brazil once. That sounds an awful lot to be squeezed in to seven weeks but he does say about the second half of the year, 'I usually travel very little in the second semester since it is aIl committed to winemaking. Still I had last year to go, in and out, to Shanghai, New York and Jodhpur [in India] for special events (based on collaboration with such creators as Lang Lang, Alexandre Desplat, Bob Wilson, Han Lixun and Jitish Kallat)'.

This year he has been concentrating on launching Dom Pérignon Rosé 2002, first in Istanbul (where else?), then the UK, Germany, US, then Hong Kong and China – all of this over a total of 18 days. He spent three days in South Africa in May and devoted much of May to July to the launch of Dom Pérignon 2004, 'then close to nothing till the end of the year'. Hmm, so although he does seem to be ubiquitous, it would seem that he certainly does oversee the harvest (currently migrating from September to August in the Champagne region) and the subsequent winemaking decisions.

Richard Geoffroy does not take the prize for the most peripatetic media-friendly winemaker, however. That crown is surely worn by the personable South Australian Peter Gago (pictured above with eucalyptus and vine carefully in the background), who circumnavigates the globe in his role as the acceptable human face of the somewhat faceless corporation that currently owns Penfolds (see Treasury to destroy £35m of 'old' wine). He answered my request for his annual timetable thus: 'Just a touch ironic that I reply to your request whilst working across China! The countless 000,000's of kms/flights/cities/hotel rooms of the last 12 months have literally been put to bed. Now but a memory.' He went on to spell out his 'only 80% complete' travel plans for the next 12 months. 'I await the 20% balance …!'

He cited April/May as his 'international no-fly zone' while he oversees ferments, but I see that during those two months he visited China twice (including a Shanghai recorking clinic – I'm surprised that Chinese cellars have any sufficiently mature Penfolds Grange), Singapore, and both coasts of the US. June was devoted to Europe: much lushing up of traditional wine merchants in the UK, smart wine dinners, Vinexpo and what he quaintly calls 'European technical visits' in Burgundy and the Rhône Valley. He is spending an unusual proportion of July and August in Australia with Treasury Wine Estates requiring his presence in the boardroom and at various interstate banking events, but that isn't stopping him from slotting in VIP dinners in Bangkok, Beijing, Shanghai and Hong Kong. (It is clear where Australian wine exporters' focus is today – just where it was for the Bordelais a few years ago.)

September sees Peter Gago at events all over the US and Canada while in October he'll be back in London then Switzerland, Germany and Dubai. November and it's China and Singapore. For December on his schedule he has marked down not just the Grange Yattarna Growers Luncheon (in South Australia) but 'Completion of 2013 Trade & Media work across Australia'. Don't you believe it, Peter. They'll surely try to squeeze in just one more winemaker dinner before New Year's Eve… For January he has 'Annual Leave … in Australia ? Probably not' and then, indefatigably, 'Possibility of International travel – Australia Day Tastings … UK or LA?'

But in the major harvest month of February, 'Vintage 2014 unfolds. Winery work laced with a continuum of vineyard visits/assessments across South Australia – happily with only the odd overnight hotel booking. 2014 Bin Launch activities – a few intermittent interstate flights/overnight stays. Possibly, like in 2013, a speedy mid-harvest visit to Singapore to spread the word to Asia.' Is there no limit to this guy's desperate quest for air miles? And finally, 'Global webcasts out of Adelaide – masterclass tastings targeting global audiences, with only a fraction of a second delay. No air miles, plenty of coverage. No interruption to day-to-day winemaking.'

Well that's reassuring anyway.

It is certainly true that now that wine buyers are so curious and so well-informed, and have become accustomed to winemaker dinners and tastings with wine producers, the job specification for an all-rounder of a winemaker has to include the ability not just to do but to communicate – and be prepared to travel.

購読プラン
スタンダード会員
$135
/年間
年間購読
ワイン愛好家向け
  • 294,770件のワインレビュー および 16,081本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
プレミアム会員
$249
/年間
 
本格的な愛好家向け
  • 294,770件のワインレビュー および 16,081本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
プロフェッショナル
$299
/年間
ワイン業界関係者(個人)向け 
  • 294,770件のワインレビュー および 16,081本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
  • 最大25件のワインレビューおよびスコアを商業利用可能(マーケティング用)
ビジネスプラン
$399
/年間
法人購読
  • 294,770件のワインレビュー および 16,081本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
  • 最大250件のワインレビューおよびスコアを商業利用可能(マーケティング用)
Visa logo Mastercard logo American Express logo Logo for more payment options
で購入
ニュースレター登録

編集部から、最新のワインニュースやトレンドを毎週メールでお届けします。

プライバシーポリシーおよび利用規約が適用されます。

More 無料で読める記事

female urban hands each holding a glass of wine - Shutterstock
無料で読める記事 ポーリーヌ・ヴィカール(Pauline Vicard)は問いかける。ワインは今でもその文化的意義を正当化できるのだろうか。この問いへの答えは...
Thomas Walk Vineyard in Kinsale
無料で読める記事 ジャンシスがエメラルド島のハイブリッド品種によって立場を思い知らされる。この記事のショート・バージョンはフィナンシャル...
Ungrafted monastrell vines in Jumilla
無料で読める記事 2026年6月4日 6月8日開催の2026年 オールド・ヴァイン・カンファレンス に先立ち、古樹ブドウ関連記事の概要を再掲載する...
Institute of Masters of Wine logo
無料で読める記事 我々のサム・コール・ジョンソン(Sam Cole-Johnson)と他の216名が来週MW試験を受験する準備をする中...

More from JancisRobinson.com

Pine Ridge Chenin Blanc-Viognier bottle and glass of wine outdoors, on table with books
今週のワイン 夏にぴったりの、シルキーな白ワインで、わずか 8.99ドル、20.90ポンド から幅広く入手可能だ。 ナパのワイナリー、パイン...
Split Rail vineyard
テイスティング記事 カリフォルニア最西端のブドウ畑を探訪するシリーズの第4回。写真上は、コラリトス(Corralitos)にあるスプリット・レイル・ヴィンヤード...
Fernando Mora MW and Mario López of Bodegas Frontonio
テイスティング記事 サラゴサの最も重要な3つのプロジェクトを詳しく見る。写真上:ボデガス・フロントニオのフェルナンド・モラMW(左)とマリオ・ロペス(©...
Acered vineyard
テイスティング記事 アラゴンが今度の 『ワールド・アトラス・オブ・ワイン』 に掲載されることを記念して、フェランがサラゴサのワインを探求する。写真上は...
Alexandre Delétraz's (Cave des Amandiers) vineyards in Valais @ Leif Carlsson
テイスティング記事 赤、白、若いもの、古いもの – スイス・ワインには多様性も美味しさも事欠かない。ただし、それらを見つける必要があるのだが...写真上は...
Mt Ararat overlooking vineyards
テイスティング記事 リースリングを飲む理由、ベスト・バイ、そして遠方からの発見 – ひと月のテイスティングからのハイライト。写真上は、アルメニアのヤクビアン...
Dar Sinclair, Tangier
Don't quote me 今月は海外での出来事が多く、タンジールを見下ろす上の写真のヴィラも含まれている。しかし、それだけではない。...
Sally Abé of Teal
ニックのレストラン巡り イースト・ロンドンのレストラン・シーンに加わったエキサイティングな新店。写真上はサリー・アベ。 サリー・アベ (Sally Abé)...
JancisRobinson.comニュースレター
最新のワインニュースやトレンドを毎週メールでお届けします。
JancisRobinson.comでは、ニュースレターを無料配信しています。ワインに関する最新情報をいち早くお届けします。
なお、ご登録いただいた個人情報は、ニュースレターの配信以外の目的で利用したり、第三者に提供したりすることはありません。プライバシーポリシーおよび利用規約が適用されます.