The Jancis Robinson Story | Mission Blind Tasting | Wine writing competition

Adding water to wine

• 5 min read

I wrote the following article for the dozen or so publications I syndicate a column to every two months. It has just appeared in the San Francisco Chronicle and stirred up quite a response. I'll be publishing all that I'm allowed to in purple pages over the next week or so.

How would you feel about vintners who added water to their wines? Pretty negatively, I would guess. All manner of inexpensive wines taste as though they've had the flavour and character diluted out of them by stretching with water, possibly the oldest form of wine fraud in the book – and one which many wine laws around the world are designed to counter.

But how would you feel if a winemaker told you he was only adding water to make the wine taste better? That's a more difficult one, isn't it?

The phenomenon of 'humidification', as it is sometimes euphemistically known, is increasingly common as growers are encouraged to leave grapes longer and longer on the vine in search of the holy grail of 'physiological ripeness'. Time was when grapes were simply required to notch up a certain sugar level but nowadays towards harvest time vineyards are invaded by winemakers trooping up and down the rows waiting for grapes to go way past this stage.

They chew pips to check whether they still taste 'green' (bad). They squash sample grapes between their fingers to see whether they really, really stain their hands (good). They want to see grape skins start to shrivel and stalks turn from green and pliable to brown and woody. Prolonged 'hang time' has become all-important as winemakers insist that not only is the fruit ripe but the tannins and other phenolics are ripe too. What they're searching for is wines that have massive impact but feel comfortably smooth in the mouth.

While all this is happening, in warmer wine regions anyway, sugar levels continue to rise. Put that together with the fact that for reasons unclear yeasts are getting more and more powerful and it's hardly surprising that many a grape must nowadays has a potential alcohol of 16 or 17 per cent.

But how many of us want to drink table wines that are almost as strong as port? I know I don't.

And there is the further complication that in some cases wines above 15 per cent alcohol are either charged higher duty or simply forbidden. It is illegal, for example, for American and Australian wines over 15 per cent alcohol to be imported into Europe (although the South Africans have somehow negotiated 16.5 per cent as their limit).

This means that for years the addition of water to top Barossa Shiraz for example has been routine, even though illegal. A precise quantity of water, calculated according to a formula involving sugar ripeness, is added at crusher stage. This may be partly on the principle that, as with all additions, the sooner you make it, the better the additive will be integrated into the whole. But I suspect it is also because the Australian Wine and Brandy Corporation insists on pretty tight record-keeping in terms of volumes held in wineries – which matters even when dilution is done with quality rather than quantity in mind.

In California, as one would expect, things are rather freer and easier, even if this particular aspect of modern winemaking is rarely discussed with consumers. Here winemakers are allowed to add a tiny proportion of water for pumping grapes and flushing equipment but there is almost maniacal devotion to hang time. In some cases people are practically picking raisins rather than grapes.

Because of this development, only a year ago the head of the California Wine Institute sought official approval from the authorities for adding sufficient water 'to replace that which was lost from grapes through field dehydration' – and got it. Quite how the amount is calculated remains a mystery.

The Wine Institute's major argument for being allowed to add water was that these high-sugar musts can be difficult to ferment and the incidence of stuck fermentations has been rising with the popularity of ultra-ripe musts. And the lower acid levels in late-picked musts have dramatically increased the risk of brettanomyces infection, resulting in distinctly animal smells in the final wine.

One response to California's love affair with extended hang time has been the emergence of operations offering specific alcohol reduction services to wineries. A Chardonnay that arrived naturally at 16.3 per cent alcohol, having been made from super-ripe grapes, may be sent off to someone with a spinning cone or other bit of de-alcoholising gadgetry to be 'broken back' (another euphemism) to a more palatable 14.5 per cent.

This may be done because the legal limits for water addition would be exceeded otherwise, or to avoid the wine tasting watery. Another response is to use a particularly dilute form of diatomaceous earth filtration where the water is every bit as useful to the winemaker as the filter. (The EU rules state in their prim and proper way that 'authorised oenological practices and processes shall exclude the addition of water, except where required by specific technical necessity'. They specifically and quite rightly forbid adding water with the sugar that is routinely added to musts in so many cooler European wine regions.)

The increasing trend towards picking grapes that are either super-ripe or overripe depending on your point of view is contentious. I must say that I find an increasing proportion of red wines that I taste show unappetisingly pruney, raisined flavours and wholly concur with high profile Australian wine figure Brian Croser's condemnation of 'dead fruit' wines. Wine's first obligation is to refresh.

Fellow Australian, viticultural consultant Richard Smart takes an even more extreme view. In a recent article in the Californian journal Practical Winery & Viticulture he maintained 'the need for hang time is being overstated and uncritically accepted. I believe that if grapes need hang time, they are not being grown properly in the first place'.

'My research and commercial experience tell me that, all other factors such as climate being equal, the first vineyards to be harvested make the best wine. This is a sign that the vine is in good balance and able to ripen fruit easily. Problems with the vine translate into delayed harvest'. He has even accused those offering dealcoholising treatments of promulgating the gospel of overripeness for commercial gain.

I don't go along with this conspiracy theory, and each vintage can deliver such awful weather that man has to intervene. But it is certainly true that many vine growers find that by improving vine health and balance they are able to pick ripe grapes earlier than before, so maybe all this deliberate late harvesting (often impossible in areas with wet autumns) is by no means the only answer to wine quality. As a consumer advocate, I'd much rather see healthy vines and naturally balanced wines than continue to live with the nasty little secret of dilution – sorry, breaking back.

选择方案
会员
$135
/year
每年节省超过15%
适合葡萄酒爱好者
  • 存取 295,960 条葡萄酒点评 & 16,111 篇文章
  • 存取《牛津葡萄酒指南》《世界葡萄酒地图集》
  • Access askJancis, our AI wine assistant
核心会员
$249
/year
 
适合收藏家

Everything in “Member”, plus:

  • Early access to the latest wine reviews, 48 hours in advance
  • Early access to the latest articles, 48 hours in advance
专业版
$299
/year
供个人葡萄酒专业人士使用
  • 存取 295,960 条葡萄酒点评 & 16,111 篇文章
  • 存取《牛津葡萄酒指南》《世界葡萄酒地图集》
  • Access askJancis, our AI wine assistant
  • 提前 48 小时获取最新葡萄酒点评与文章
  • 可将最多 25 条葡萄酒点评与评分 用于市场宣传(商业用途)
商务版
$399
/year
供葡萄酒行业企业使用

Everything in “Professional”, plus:

  • 可将最多 250 条葡萄酒点评与评分 用于市场宣传(商业用途)
  • Access to submit wines for review
  • Offer memberships to your employees and manage them from a single place
  • API access available for an additional fee
Pay with
Visa logo Mastercard logo American Express logo Logo for more payment options
Join our newsletter

Get the latest from Jancis and her team of leading wine experts.

By subscribing you agree with our Privacy Policy and provide consent to receive updates from our company.

More Free for all

Ronan Sayburn MS, Sarah Abbott MW and Hannah Tovey at Icons tastings 2026
Free for all 从世界各地挑选 27 款霞多丽 (Chardonnay) "标志性"酒款,呈献给 18 位认证品鉴师……本文的一个版本发表于金融时报 。另见...
WWC26 post-submission graphic
Free for all 绝妙的搭配——有如此多的选择!JR 团队向所有人致以诚挚的感谢。 今年的 葡萄酒写作大赛打破了所有记录,收到了超过 400 份参赛作品...
Kullabergs Vingård © Terra Skåne/Jan Kivissar
Free for all 根据星级酒单 (Star Wine List) 的评选,这是一份比大多数指南更具权威性的榜单。上图,美食与葡萄酒行家们齐聚阿里尔德酒庄...
Mont Ventoux seen from Les Deux Cols at dawn
Free for all 南部并非全是强劲的歌海娜 (Grenache)。本文的一个版本发表于《金融时报》(Financial Times)。 另见...

More from JancisRobinson.com

Brit Nat tasting 2026 by Em Drake
Tasting articles 英伦摇滚靠边站;英国天然气泡酒 (Brít-Nat) 带着开瓶盖的争议和前卫态度来了。 亨利 (Henry) 写道 在即将成为传奇的...
Ried Kellerberg in autumn
Wines of the week 来自奥地利的一款充满石灰气息、活泼清新的白葡萄酒中的夏日梦想,售价 €9.90, £18.37, $19.99 。上图为凯勒贝格...
Diemersdal winemaking team
Tasting articles 在英国及更远地区可购得的优质佳酿——包括一些天然低酒精度葡萄酒。上图,从左至右: 雷昂·里希特 (Reon Richter)、莉娜·科茨...
Alder Springs vineyard
Tasting articles 加州一些最令人兴奋的葡萄酒来自一个远离其他任何地方的葡萄园。上图为阿尔德斯普林斯 (Alder Springs) 葡萄园(图片来源: 娜塔莉...
Judges for Chardonnay Icons at 2026 London Wine Fair
Tasting articles 澳大利亚和英格兰在今年伦敦葡萄酒博览会 (London Wine Fair) 的标志性葡萄酒盲品中胜出,评审团由上图中的葡萄酒专业人士组成。...
Poggio di Sotto vineyard
Tasting articles 如果您欣赏能够反映年份和风土的葡萄酒,那么顶级的 2020 年份布鲁内洛 (Brunello) 非常值得购买。上图为索托山庄 (Poggio...
Wine & War book cover
Book reviews 提醒我们葡萄酒在冲突时期恢复人性、幽默和希望的力量。 葡萄酒与战争 法国人、纳粹和法国最伟大宝藏的争夺战 唐和佩蒂·克拉德斯特鲁普 (Don...
Flowers in the Meinklang vineyard
Wines of the week 一款来自奥地利的神奇起泡酒,售价 €9, £15.50, $16.95 起 。 有人说,这是魔力最强大的时刻……夏至,仙灵在我们中间起舞...
Wine inspiration delivered directly to your inbox, weekly
Our weekly newsletter is free for all
By subscribing you're confirming that you agree with our Terms and Conditions.