25周年記念イベント(東京) | The Jancis Robinson Story (ポッドキャスト)

A pair of Tokyo's best restaurants

2025年5月18日 日曜日 • 1 分で読めます
Kunihiro Shimizu, sushi chef

Exceptional food and drinks in hard-to-find locations.

Shimbashi Shimizu and Noyashichi are two of the most exceptional restaurants I have ever had the pleasure of eating and drinking in. And, with these recommendations, I wish you the best of luck in finding either of them.

The former, named after its chef/proprietor Kunihiro Shimizu, is in the Shinbashi quarter of central Tokyo, terminus of Tokyo’s first railway built in 1872. It is, according to one observer, ‘a very safe neighbourhood replete with drunk salarymen’. We spotted none of them but the sheer numbers on the streets can be overwhelming. The act I was most proud of during our stay in fact took place at 8.30 am, at Shinagawa station in Tokyo’s business district, and consisted of guiding JR and our large suitcase through the vast stream of workers heading resolutely to their offices as we worked our way across them towards our bullet train. The crowds were almost as thick on our evening in Shimbashi. But do persist. And do make sure that you are accompanied by someone who speaks fluent Japanese as the chef prefers to be able to communicate with all his customers.

Like the vast majority of Tokyo’s restaurants, Shimbashi Shimizu is down a side street that I would never find again. And for anyone who has ever enjoyed eating at a sushi counter, there will be initially few surprises. We, a party of eight, walked in at 7 pm which turned out to be the second sitting. There in front of us was a spotless wooden counter, highly polished and completely empty. Behind it were four smiling Japanese men, all of whom seemed extremely pleased to see us.

This was the first surprise. The road to sushi mastery is long – Shimizu spent numerous years learning his craft at Tsuruhachi in Tokyo – and as a result when the Japanese chefs finally open their own restaurants, the maestros tend to be severe. Not so here. Shimizu, 56, is obviously in charge but his friendly demeanour spread easily to his principal assistant to our right and the two others to our left. In addition, all of them, it seemed to me, went to the same barber with the same result. All have had the most severe ‘number one’ haircuts.

Before I continue in praise of what we were about to eat and drink, let me get a couple of small gripes out of the way. Firstly, while I always enjoy sitting at a sushi counter – I love watching chefs at work – I do not enjoy being in a party larger than two because of the difficulty of conversation. I find it inconvenient to put my head around the person next to me to engage in conversation or even to clink glasses. (At Noyashichi, we were a party of three and I barely conversed with my friend on the far side of JR who sat in between us.)

My other complaint is about the absence of menus in general. At neither of these restaurants was a menu either present at the outset of the meal nor offered as we left. I don’t believe that I am alone in thinking how important it is knowing either what I am about to eat or to know fully what I have eaten. When, growing somewhat tired, I asked after course 14 how many courses were left, I felt that I had let our side down. But I still managed to enjoy the subsequent four dishes.

Young sea eel soup

These gripes out of the way, I can report that Shimizu and his team produced an array of fabulous food. This began with a soup in which were floating slivers of young sea eel, soup that was rich and fragrant. This was followed by a series of fish dishes with unusual pairings: flounder with daikon, Japanese radish; scallop with salt that accentuated the bivalves’ sweetness; firefly squid caught, I was informed, in the Japan Sea only at this time of year, and cooked in a rich stock (see below); aoyagi (surf clam) with wasabi (which I saw being prepared): the sweet liver of an angler fish, its flavour again accentuated with wasabi; and, perhaps best of all, and certainly the most unusual, a piece of tairagi, fan shell, served as a sandwich inside a piece of seaweed. All this took an hour, before it was announced to us that the sushi would now begin.

firefly squid

This took the form of six different pieces which Shimizu formed and served to all eight of us, set in front of us directly on to the wooden counter. His hand movements were a combination of the highly personal and the automaton: I believe that, if I had asked him to close his eyes while he was making the sushi, the results would have been exactly the same. It was fun to watch just across the counter as he progressed from snapper to squid then to kinmedai, a dense red fish found only in the waters around Tokyo, followed by two types of tuna including toro, then kohada (young gizzard shad) before he ended with a piece of eel.

The tour de force over, I was ready with a few questions. His favourite fish for sushi is kohada but, he added, he loves the process of creating steaming rice. His favourite season is autumn/winter although this is changing with climate change, and what gives Shimizu the greatest pleasure is to welcome back a returning customer. We will return, I hope – so long as we can find Shimbashi Shimizu again.

We stopped outside the restaurant Noyashichi only on spotting a young woman outside it bowing to us. She was apparently expecting us. The reason for this was that this restaurant is not only home to a very talented chef – Shinya Yamamoto – but also to an exceptional sommelier, Toshihiko Ito, who had once visited us in London. Once inside we saw the evidence that Ito-san had been recognised as the best sommelier in Japan for 2025 by Gault & Millau.

Ito-san's plaque

The restaurant’s layout reflects this joint responsibility. There is a corridor down the middle which leads to the kitchen. On the left are a couple of private rooms, and to the right are two counters, the first with six seats, the second four. The first is opposite a fridge and is Ito’s domain; the second is that of the chef. And just as surprising as this double billing is the cooking instrument part-hidden behind a bamboo curtain off to the left: one large wok as shown in the distance below.

The Noyashichi kitchen

From here, the chef produces a series of dishes that are either Japanese with a Chinese twist or Chinese with a Japanese twist. From the opposite corner Ito-san produces a series of drinks he considers most suitable from a fridge that must be packed to the gunwales with his selections, principally from France, Germany, China and Japan. Meanwhile, the two female waiting staff come and go, one looking quite medical as she is all in white. Ito-san and Chef Yamamoto also look unusually smart, the former in a suit and tie, the chef with a shirt and tie underneath a formal white jacket.

The Noyashichi chef and helper

It is an elegant performance with extremely impressive results: a dish of pork and bamboo shoots with pepper bloom that was subtly hot; a spring roll of shrimp and Japanese vegetables with which Ito-san served a glass of Chinese Shaoxing rice wine; a dish of bonito with a spicy Chinese sauce; prawns cooked in Shaoxing wine; kinki, or channel rockfish, pickled first in miso and then served over spicy red peppers, below. 

kinki with hot red peppers

All of these were a prelude to the final dish which showed off the chef’s dexterity with the wok: two pieces of beef sirloin in a much reduced sweet-and-sour sauce finished with vinegar. I have never before been to a restaurant where the chef conversed with us directly by speaking into his phone in Japanese and showing us the English translation on his screen, which process you can see in a corner of the picture two above.

My questions to Yamamoto were simple: how had his particular style of cooking come about and how had he persuaded Ito-san (pictured below) to join him?

Ito-san the somm

The answers to both were straightforward. ‘From 2005 to 2007 I trained at Hong Ziji, one of the most eminent restaurants in Shanghai, before six years at Akasaka Momonoki, the two-star Michelin Chinese restaurant in Tokyo, where I learnt about the greatness of my country’s cooking but that it has to adapt to survive. In 2015 I opened here with my wife.

‘I knew of Ito-san and his role co-ordinating wine lists in several top restaurants in Japan although I did not know him personally. But I was convinced that with his help we could create an even better restaurant so I summoned up my courage and invited him to join us. He readily agreed, and soon afterwards both Ito-san and the restaurant received recognition from Michelin and Gault Millau.’

Which, on the basis of what we ate and drank, is fully deserved.

Shimbashi Shimizu 2-chōme-15-10 Shinbashi, Minato-ku, Tokyo 105-0004; tel: +81 (0)3 3591 5763
Dinner menu £150 per person

Noyashichi MIT Yotsuya 3-chōme Building, 2-9 Arakicho, Shinjuku-ku, Tokyo 160-0007; tel: +81 (0)3 3226 7055
Dinner menu 30,000 yen (about £160) per person

Every Sunday, Nick writes about restaurants. To stay abreast of his reviews, sign up for our weekly newsletter.

購読プラン
JancisRobinson.com 25th anniversaty logo

Go for gold with your wine knowledge.

The world just came together in Italy – and there’s never been a better time to explore its wines and beyond.

For a limited time, get 20% off all annual memberships by entering promo code GOLD2026 at checkout. Offer ends 12 March. Valid for new members only.

スタンダード会員
$135
/year
年間購読
ワイン愛好家向け
  • 290,142件のワインレビュー および 15,938本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
プレミアム会員
$249
/year
 
本格的な愛好家向け
  • 290,142件のワインレビュー および 15,938本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
プロフェッショナル
$299
/year
ワイン業界関係者(個人)向け 
  • 290,142件のワインレビュー および 15,938本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
  • 最大25件のワインレビューおよびスコアを商業利用可能(マーケティング用)
ビジネスプラン
$399
/year
法人購読
  • 290,142件のワインレビュー および 15,938本の記事 読み放題
  • The Oxford Companion to Wine および 世界のワイン図鑑 (The World Atlas of Wine)
  • 最新のワイン・レビュー と記事に先行アクセス(一般公開の48時間前より)
  • 最大250件のワインレビューおよびスコアを商業利用可能(マーケティング用)
Visa logo Mastercard logo American Express logo Logo for more payment options
で購入
ニュースレター登録

編集部から、最新のワインニュースやトレンドを毎週メールでお届けします。

プライバシーポリシーおよび利用規約が適用されます。

More ニックのレストラン巡り

Bonheur restaurant interior
ニックのレストラン巡り *ロンドンでゴードン・ラムゼイの旗艦レストランを統括していたオーストラリア人シェフが、今度は自分のレストランを持った。*...
Jasper Morris MW at The Stokehouse
ニックのレストラン巡り レストラン経営者とワイン関係者が食事を通じてどのように協力しているか。 「ワイン・ディナー」という言葉は...
al Kostat interior in Barcelona
ニックのレストラン巡り バルセロナのワイン見本市期間中、スペイン専門家のフェラン・センテジェス(Ferran Centelles...
Diners in Hawksmoor restaurant, London, in the daytime
ニックのレストラン巡り ニックが世界の外食トレンドについてレポートする。写真上はロンドンのホークスムーア(Hawksmoor)の客たち。...

More from JancisRobinson.com

Ferran with many bottles of Rioja tasted at the Consejo Regulador
現地詳報 フェランは、スペインの最高峰ワイン産地として100年の歴史を持つリオハが、これまでと同様に活気に満ちていることを発見した。 2025年...
Cava Bertha family
今週のワイン A sparkling wine from Spain that dances on the tongue with vim and delicacy. And it sells for as little...
old Zin vine at Dry Creek Vineyard
テイスティング記事 カリフォルニア・ワインの価値と真の魅力を見つけ出す。続きは土曜日に。写真上は、ドライ・クリーク・ヴィンヤード(Dry Creek...
Sam tasting wine for MBT part 4
Mission Blind Tasting How to evaluate everything you feel and taste in a sip of wine. Last week’s MBT article focused on evaluating...
Sigalas Monachogios vineyard
現地詳報 The race to revive Santorini’s vineyards – and the challenges its winemakers are up against – in a time of...
Matthew Argyros
テイスティング記事 サントリーニの貴重で脅威にさらされているブドウ畑への投資の必要性を物語る37本のワイン。 昨年...
Ina & Heiko Bamberger photographed by lucie greiner
テイスティング記事 冬の憂鬱を吹き飛ばすワインの数々。写真上は、下記でレビューした素晴らしいドイツのスパークリング・ワインの造り手、イナ・バンベルガー (Ina...
The New France_book jacket
書籍レビュー 真に偉大な文章の持つ永続的な力。 The New France 現代フランス・ワインの完全ガイド アンドリュー・ジェフォード (Andrew...
JancisRobinson.comニュースレター
最新のワインニュースやトレンドを毎週メールでお届けします。
JancisRobinson.comでは、ニュースレターを無料配信しています。ワインに関する最新情報をいち早くお届けします。
なお、ご登録いただいた個人情報は、ニュースレターの配信以外の目的で利用したり、第三者に提供したりすることはありません。プライバシーポリシーおよび利用規約が適用されます.